Kate Eifrig and Valeri Mudek in Terminating or Sonnet LXXV or ‘Lass Meine Schmerzen Nicht Verloren Sein’ or Ambivalence. Photo: Michal Daniel
Tonight, critics arrive at North London’s Tricycle Theatre to view—for the first time in Britain—five one-act plays by the American dramatist Tony Kushner, collectively called Tiny Kushner. One of the playlets in the group, Only We Who Guard the Mystery Shall Be Unhappy, made the author paranoid to the point of a “kind of panic.” The group the play was about, he says, are “very vindictive people.”
He is talking about Republicans—or some of them. They were in…
Register today to continue reading
You’ve hit your limit of three articles in the last 30 days. To get seven more, simply enter your email address below.
You’ll also receive our free e-book Prospect’s Top Thinkers 2020 and our newsletter with the best new writing on politics, economics, literature and the arts.
Prospect may process your personal information for our legitimate business purposes, to provide you with newsletters, subscription offers and other relevant information.
Click here to learn more about these purposes and how we use your data. You will be able to opt-out of further contact on the next page and in all our communications.
Already a subscriber? Log in here