Making my first full-length feature film was no big deal—winning the Prix Italia and taking it on tour has blown my mindby Mark Cousins / October 20, 2010 / Leave a comment
Published in November 2010 issue of Prospect Magazine
On location: Mark Cousins with a budding Iraqi filmmaker
What’s the relationship between liking and making? If I like Chinese food, do I automatically have the desire to make it? If I like The Smiths, do I want to make music like them?
The answers are no, of course. But why not? Liking and making are very different activities. The latter calls, the former responds. Liking is more passive: it involves less process. You need neither a wok nor a guitar. And liking something while not wanting to make it involves, among other things, a determination not to enter the mystery of the object giving pleasure. Then there’s the fact that making is, in a way, starting from scratch—whereas liking, by definition, isn’t.
These thoughts come to mind for three reasons. First, I’ve been reading François Truffaut, Eric Rohmer and Jean-Luc Godard, who were critics before they were directors. Second, I recently interviewed Paul Schrader, who was an outstanding film critic before he wrote Taxi Driver and Raging Bull and directed American Gigolo; and third, because the critic Mark Kermode asked me recently on his radio show, why, after years of writing about cinema I finally made my first feature-length film, The First Movie. My answer was that, as a boy, I loved both looking at imagery and drawing and painting. It didn’t feel like there was a difference. Each involved getting inside images.