Returning artefacts to their rightful owners shouldn’t be a controversial argument but somehow, when it comes to British cultural institutions, it isby Steve Bloomfield / June 11, 2018 / Leave a comment
Sat in a sun-drenched courtyard, a senior official at a British cultural institution was explaining with some excitement how the digitisation of their archives meant that thousands of artefacts could now be viewed all around in the world. “Including in the places we stole them from,” I added. There was a pause. “That’s not the word we use,” the official said.
No, it’s not. But it does accurately describe how so many of the paintings, statues, sculptures, shields, outfits, weapons and documents from elsewhere ended up here.
Returning artefacts to their rightful owners shouldn’t be a controversial argument but somehow, when it comes to British cultural institutions, it is.
Last weekend, Labour leader Jeremy Corbyn told a Greek newspaper that if he became prime minister his government would return what the UK calls the Elgin Marbles (in Greece, the country they were taken from, they’re known as Parthenon statues).
The Daily Mail—this won’t surprise you—wasn’t happy and wheeled out former culture minister Ed Vaizey to criticise Corbyn.
“The British Museum is independent of government and it is their decision what happens to the Elgin Marbles,” Vaizey said. “If Corbyn is saying a Labour government is going to ride roughshod over the independence of our museums then what will be next? Will he start dictating what plays can be put on at the National Theatre?”