Roth and the Jewish-American novelists who followed him had very different attitudes to their cultural inheritanceby David Herman / June 4, 2018 / Leave a comment
What is striking about the flood of tributes to Philip Roth since his death at the age of 85 is not what has been said but what is missing. There has been plenty about Roth and sex, Roth and Jews, Roth and America. How funny he was, what a great conversationalist and, above all, how talented.
There has been remarkably little, however, about Roth and the great theme of 20th-century Jewish-American literature: the often difficult search for a subject. In 1961 Roth visited Bernard Malamud in Oregon. Roth was still in his twenties and had just published his first book of stories, Goodbye, Columbus. Malamud was almost 50 and one of the most famous writers in America. This meeting was immortalised in one of Roth’s greatest books, The Ghost Writer. In this 1979 work, a young writer, Nathan Zuckerman, visits EI Lonoff, a first-generation immigrant modelled on Malamud, who found a new voice for Jewish-American literature. He had found a voice but, more importantly, he had a subject: “life-hunger, life-bargains, and life-terror”—a Jewish experience rooted in the traumas of east Europe and Russia.