The playwright opens up about Jeremy Corbyn, local politics—and why he's finding it so hard to set a drama in Number 10by Andrew Dickson / September 8, 2017 / Leave a comment
Published in October 2017 issue of Prospect Magazine
The publication of the election exit poll at 10pm on 8th June was a plot twist worthy of the wildest of melodramas. Even by the turbulent standards of current politics, the prospect of a resurgent Jeremy Corbyn denying Theresa May a majority seemed so unlikely that few regarded it as credible. Journalists rushed to delete Labour’s political obituaries; pollsters were, yet again, dumbfounded. Judging by Corbyn’s reaction at his Islington count a few hours later, he was as flabbergasted as anyone.
Spare a thought, then, for James Graham. On election night he was drinking with friends, taking a break from a play he’d been working on for seven years. Labour of Love was supposed to tell the story of 25 years of Labour Party history, from Neil Kinnock’s failure to beat John Major in 1992 to what most people assumed would be an even more calamitous defeat in 2017. Actors had been cast and a theatre booked for the autumn; the script was nearly done. Everyone knew how the saga would pan out. Until, of course, they didn’t.