Published in September 2012 issue of Prospect Magazine
Hundreds of millions lifted from poverty and vast empty ghost cities—so much about China’s social and economic miracle is extraordinary and strangely hard to believe. Explanations of this miracle, given by economists and political analysts, do not much help—they skirt a reality that lies beyond their terms of reference. Something so vast and so strange as China needs an artist’s interpretation.
Superficially, Yu Hua sees modern China as quite different from the China of his youth. When he was at school in the sixties and early seventies, party doctrine discouraged girls and boys from speaking to one another. That has changed—his son tells him that for his sex education lessons the girls were instructed to sit on the boys’ knees.
But he also suggests similarities. During the Cultural Revolution, Red Guards toured the country dispensing “revolutionary justice” while peasants sang fantasy songs about
sweet potatoes as big as young children. Today, successful businessmen construct replica White Houses, complete with Lincoln bedrooms to which they take their secretaries. The story of how the most communist country in the world became the most capitalist is one of change—and of unsettling continuity.
When Yu explores the words “Copycat,” and especially “Bamboozle,” the connections between the Cultural Revolution and its successor mass movement, “economic development,” become clear.