In Syria's war, perception is everything. There is no objective reality—except the bodiesby James Harkin / November 15, 2016 / Leave a comment
Published in December 2016 issue of Prospect Magazine
On 3rd January of this year, Islamic State (IS) released a video that belongs to what has become a familiar gory genre. A balaclava-clad Briton, flanked by four other masked jihadis, stood behind five kneeling men from Raqqa, the IS-held city in northern Syria. The prisoners were softly mouthing prayers. In a slick montage cut with chanting, some of the five, clearly under duress and likely having been tortured, confessed to being spies and journalists for Britain. They admitted to taking photos of IS positions in exchange for money, setting up an internet café to gather information, and working for outlets such as the BBC. After their captors’ customary tirade against the west, the prisoners were each shot in the back of the head.
The video captured the sharp end of Syria’s information war. Deadly things happen every day purely because of how they will look; people are killed because of how they have made things look. There can be no disentangling of the substance and the spin: one feeds back into the other. This is a conflict where attempts to shape the flow of information determine where blood gets shed, and the flow of blood in turn restricts the movement of information. Every major incident brings with it rival media footage and the roar of claim and counter-claim. The attack on a UN aid convoy near Aleppo in September, which killed 20 civilians,…