Every diarist turns a new page at new year, which is when the Restoration's chronicler started. He's remembered for what he saw, but he unwittingly preserved the disturbing things he feltby Anna Blundy / December 14, 2016 / Leave a comment
Published in January 2017 issue of Prospect Magazine
Sitting on the porch of a New England hotel in 1979, I told my dad I was bored. He took a big slurp of his third gin martini that evening and said: “Write a diary.” So I did. I still do.
On 1st January, we diarists all over the world will open a deliciously blank book and begin chatting to our old—perhaps our only—friend: the page. We’ll be communing with our future selves, who will one day look back fondly on these words. Those of us with grandiose fantasies might feel we are addressing some awe-stricken future audience, admiring of our wit, perspicacity and wisdom. Not me—my younger sister has instructions to incinerate my diaries immediately on my death (Grace, they’re in the attic).
Some of you will be sane enough not to need a papery friend/shrink/accountant, but you might nonetheless be the kind of voyeur who will start 2017 absorbed in someone else’s diary—magazine editor Alexandra Shulman’s Inside Vogue: A Diary of My 100th Year is out in time for Christmas… For readers, diaries have obvious appeal as the thinking person’s reality television—a glimpse into the minute details of someone else’s life. Just as the ash of Pompeii preserved the details of daily life in the late Roman Empire, so diaries preserve the intimacy and the mundanity of the writer’s moment—and none better than those of my diary idol Samuel Pepys.
Pepys is famous for his epic descriptions of the Plague and the Great Fire of London and for what the editor Robert Latham describes as his “talent for living.” The diaries are full of food and drin…