When it comes to great wine, maybe we just don't need descriptionsby Barry Smith / January 21, 2016 / Leave a comment
Published in February 2016 issue of Prospect Magazine
Why is it so difficult to describe the taste of a wine? You are in no doubt that you are experiencing the wine you are tasting. So why do its aromas and flavours elude your attempt to capture them in words?
Partly, because a lot happens during tasting. The experience is fleeting, making it hard to concentrate on; though we are usually left with a firm impression of liking or disliking, a sense of surprise or disappointment; and it is these hedonic reactions to which people first give voice. But what comes before that step, and why should it be so hard to pin down the taste of a wine?
Timing is an issue with tasting, and with practice it is possible to see it not as a single event but as a dynamic series of events, and attend to the initial attack as the wine enters the mouth, the persistent or short finish, and in between, the mid-palate. Wine-makers deploy a small but precise vocabulary when tasting, mostly designed to help them pick out faults. This is very far from the poetry that a wine lover seeks. Moreover, exclusive focus on particular qualities of acidity or tannin can interfere with one’s ability to appreciate a wine as a whole. To reacquaint ourselves with it we must relinquish attention to the parts and appreciate the flavour of the whole.
But how should we describe its flavour? The difficulty of cap…