Too often dismissed as empty display, Italy’s bel canto style is opera at its technical pinnacle. But while most associated today with the comedies of Rossini, where its florid excesses serve the lightest of farces, this music also has a darker side. In Maria Stuarda psychology meets virtuosity in one of the repertoire’s most demanding and complex roles, while Roberto Devereux paints an unexpectedly moving portrait of an ageing monarch caught between her public and private selves. The season includes lectures and interviews helping to unpack the genius of bel canto’s self-appointed historian, Donizetti.
Donizetti's "Three Queens" are on at the Welsh National Opera from 7th September