Magazine
Latest Issue

Why I chose to study classics

The death of classics has been predicted for centuries—but the field is constantly reshaped, opened out, and rethought

Classics in the culture at large continues to find a ready audience: one thinks of the popularity of Madeline Miller’s novels, Mary Beard’s history books and television programmes, and Emily Wilson’s brilliant Odyssey translation. Image: Aeneas beim Festmahl der Dido, Gerard de Lairesse

In my final Classical Musing column, I wanted to try to set down what it is about classics that I find worthwhile. In my day job, I am a writer on the Guardian. Journalism is, by definition, about the events of the day, which rush past at a bewildering speed. The literature of the deep past offers a respite and, to an extent, an escape. This was certainly true on a personal level in the early months of the pandemic, when I was on leave, immersed in writing a book of retellings of stories from the Greek myths.  

Register today to continue reading

You’ve hit your limit of three articles in the last 30 days. To get seven more, simply enter your email address below.

You’ll also receive our free e-book Prospect’s Top Thinkers 2020 and our newsletter with the best new writing on politics, economics, literature and the arts.

Prospect may process your personal information for our legitimate business purposes, to provide you with newsletters, subscription offers and other relevant information.

Click here to learn more about these purposes and how we use your data. You will be able to opt-out of further contact on the next page and in all our communications.

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

We want to hear what you think about this article. Submit a letter to letters@prospect-magazine.co.uk

More From Prospect