All the world’s a screen

Prospect Magazine

All the world’s a screen

by
/ / Leave a comment

Cinemas across the world are now showing live performances from the National Theatre. But will anyone turn up?

London Assurance in Finland, photographed by the author: struggling to find an audience


Helena Pikkarainen, her husband Timo and their 16-year-old daughter Keela are on their way to see their first ever National Theatre production: the 19th-century farce London Assurance. From their home, it will take about 30 minutes to drive to their destination—not bad going considering they live in the tidy northern Finnish village of Tyrnaevae, 200km south of the Arctic Circle.

In December, Tyrnaevae’s days last just three hours. At this point in late June, though, it is warm and the sun has been up for 22 of the last 24 hours. Helena and her family are heading for the city of Oulu (home to the world air-guitar championships) because NT Live is coming to town.

London Assurance is the fifth and final play in the pilot season of NT Live, an initiative that sees the National Theatre

You need to be logged in to see this part of the content. Please either subscribe or Login to access.

Leave a comment



Author

John Nathan

John Nathan
John Nathan is a journalist and theatre critic 


Share this







Most Read






Prospect Buzz

  • Prospect's masterful crossword setter Didymus gets a shout-out in the Guardian
  • The Telegraph reports on Nigel Farage's article on Lords reform
  • Prospect writer Mark Kitto is profiled in the New York Times


Prospect Reads

  • Do China’s youth care about politics? asks Alec Ash
  • Joanna Biggs on Facebook and feminism
  • Boris Berezosky was a brilliant man, says Keith Gessen—but he nearly destroyed Russia