Performance notes
His work is wildly popular, yet little is known about Brahms—something John Eliot Gardiner is busy changing. Plus, the genius of Britten's pacifism
The future of the UK seems perpetually in peril. As Andrew Marr argues in this month’s cover story, nothing is inevitable about Scotland’s breakaway, but London’s complacence is making it more likely. Also in this issue: Jill Rutter explores how we’re coping outside the single market, Eliane Glaser has been horrified by the education jargon being foisted on her children during her time homeschooling, and Miranda France gives her verdict on the new Kazuo Ishiguro.
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