There are two types of arts festival, says Edward Pearce-unsmart ones in pretty places and those visited by Dr Bragg and the leaders of the Republic of Lettersby Edward Pearce / June 20, 1996 / Leave a comment
Published in June 1996 issue of Prospect Magazine
Chaucer said it about the Spring. “Thanne longen folk to goon on pilgrimages.” Pilgrimages aren’t what they were, but for a country with a shrinking literacy base, arts festivals do very well. They mostly take place from July through to September, so it’s worth looking around now.
They run from Aldeburgh to York, by way of increasingly insufferable Edinburgh, to beautifully sited Fishguard, the mobile Three Choirs (Worcester this year, Hereford next, then Gloucester), improbable Presteigne, pretty Ludlow and grand Cheltenham-which attracts BBC recording vans and Alfred Brendel. A good British Tourist Authority brochure is available from the Lower Regent Street office.
Where you go depends on taste and venue. Open the guide to the King’s Lynn festival and the heart sinks. On 30th July a literary luncheon offers fan of melon, fillet of salmon, Frank Delaney, Ion Trewin and Melvyn Bragg. The curse of festivals is talk: theatre workshops, poetry workshops, a chance to meet Seamus Heaney and the other steady bacon-and-eggers of the chat circuit. The thinking man’s celebs on the self-importance roadshow will all be there: the poetry aversion therapist, Tom Paulin, will bring you to your knees; the compulsory Mark Lawson will treat you almost as an equal on a trudge round an artistic point.
There are two sorts of festival: something nice in the country with a chamber orchestra playing music we might like; a touch of shoestring Shakespeare; and the odd exhibition. You take a holiday, leaving half days for excursions into the local landscape, wool churches and villages.