Summer arts: An operatic journey

Prospect Magazine

Summer arts: An operatic journey

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My colonial childhood brought opera to life

Janácek’s opera The Cunning Little Vixen, left, is part of Glyndebourne’s 2012 season


In the “Best of British” tradition, the Glyndebourne opera festival began as an amateur undertaking, with a “for the love of music” attitude that has informed its ethos ever since. The festival’s origins go back to 1920, when John Christie inherited the Manor House at Glyndebourne, where he had built an 80-foot-long organ room to accommodate his great friend Dr Lloyd, a former Eton organist, whenever he visited Sussex. This purpose-built gallery quickly became home to amateur opera productions.

Until the age of 48 John Christie was a confirmed bachelor, but in 1930 he promptly fell in love with, and six months later married, Audrey Mildmay, a singer with the Carla Rosa company, who had come to Glyndebourne to perform in the Mozart opera Die Entführung aus dem Serail.

They honeymooned in Salzburg and Bayreuth, which inspired

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Author

Richard E Grant

Richard E Grant
Richard E Grant is an actor, screenwriter and director 


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