Popular music was changed forever when a Swedish producer’s in-car cassette machine broke, and he found himself unable to listen to anything other than a song called “All That She Wants.”
It was 1992. The producer’s name was Dag Krister Volle. Some people knew him as “Dagge,” but he went about his musical business under the name of Denniz PoP. He apparently had a “childlike wonder” about him, and loathed music that was in any way anodyne or boring. As he saw it, “every note, word and beat had to have a purpose, or be fun.” The song that got stuck in his tape deck was an early version of the eventual breakthrough hit for a quartet called Ace Of Base, who were led by a musician named Ulf Ekberg. At that stage, it was called “Mr Ace,” and its creators obviously knew it lacked a certain something. Having heard what Denniz PoP had achieved with a minor Swedish hit entitled “Another Mother,” they had sent it to him in the hope that he might help.
At first, Denniz PoP was not impressed at all. But as he drove his car each day and listened repeatedly, familiarity began to melt his scepticism and suggest that something could be done. Having met the group, he then took out half the instruments on the recording, and moved the whistled melody that closed the song to its introduction. Denniz PoP also pushed Ekberg to add more lyrics.
What resulted was seemingly gauche, clunky and devoid of much sense. The reggae-ish music sounded synthentic and flimsy; the vocals were so treated with effects that they seemed almost inhuman. Ekberg later claimed that Ace of Base had an advantage in not being native English speakers, because he and his colleagues were able to treat the language “very respectless [sic], and just look for the word that sounded good with the melody.” But even on that basis, the stuff they came up with was pretty awful:
When she woke up late in the morning light And the day had just begun She opened up her eyes and thought Oh what a morning It’s not a day for work It’s a day for catching tan Just…