For psychological and linguistic brilliance, Richard Ford remains hard to beatby Francine Prose / May 24, 2012 / Leave a comment
Published in June 2012 issue of Prospect Magazine
Richard Ford, who won the Pulitzer Prize for fiction in 1996, is best known for mining the darkly faceted anthracite of the adult male psyche
By Richard Ford (Bloomsbury, £18.99)
More than 30 years after I first saw Terrence Malick’s film Badlands, I can still hear the childish sing-song of Sissy Spacek as the charismatic serial killer’s worshipful girlfriend. How wrenching her lilting rhythms became as she described their murder spree in the only language she knew: the diction of the fan magazine, the soap opera, and the tabloid.
Why should it seem so American, the voice of a child who has witnessed, or participated in, the crimes of the adults? Certainly, children everywhere have been scarred by the bad behaviour of grown-ups. But though other countries have their Jane Eyre and David Copperfield, their Young Törless and Jakob von Gunten, there is something about these stories narrated by innocent-bystander, collateral-damage kids that (at least to me) sets them squarely within a New World tradition: Tom Sawyer and Huckleberry Finn; the knowing teens semi-sleepwalking through the pages of Tobias Wolff, Joy Williams, and Russell Banks. Or perhaps it’s less about the youths themselves than about the specifically American character of the felonies they observe—the differences between the modus operandi of Bonnie and Clyde, Jesse James, John Dillinger, and that of, let’s say, Jack the Ripper.