In both her fiction and her life Angela Carter was fearless, says Anne Chisholmby Anne Chisholm / September 15, 2016 / Leave a comment
Published in October 2016 issue of Prospect Magazine
The question of Angela Carter’s literary standing, both during her lifetime and since her death at the height of her powers in 1992, is not easily settled. She arrived with a bang: her first two novels, Shadow Dance (1966) and The Magic Toyshop (1967), with their electrifying prose, imaginative wildness and dark sexuality, established her as a powerful new voice in British fiction, a writer who from the start excited both admiration and unease. She went on to write or compile some 15 more books, won a prize or two, wrote a great deal of journalism and established herself as an original, unpredictable essayist and critic. Today, she is taught in schools and colleges around the world; critical studies and theses proliferate. Most of her work is in print. She has influential admirers: a new edition of her poetry appeared at the end of last year, presented by Rosemary Hill, and Christopher Frayling has recently published a book of essays built around an account of their friendship and shared interest in vampires. Now comes the first full and authorised biography, based on complete access to her personal and professional archive and help from family and friends.
From the start, Edmund Gordon presents himself as a biographer with a mission: to rescue Angela Carter from a carapace…