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The first headmaster of Stowe school, JF Roxburgh, declared his goal to be turning out young men who would be “acceptable at a dance and invaluable in a shipwreck.” A mixture of courtesy and courage used to be essential to the idea of a British citizen’s character. Brits were the sort of people who knew both how to survive a Blitz and queue politely. Similarly, Robert Baden-Powell, the founder of the scout movement, aimed to induce in his young charges “some of the spirit of self-negation, self-discipline, sense of humour, responsibility, helpfulness to others, loyalty and patriotism which go to make ‘character.’” He described his movement as nothing less than a “character factory.”
But in the postwar shift towards a less constrained and judgemental society—”character-talk” in Stefan Collini’s phrase—dropped out of public discourse, except when considering someone’s suitability for high office. The idea of good character came to sound old-fashioned and patronising.
“The reason we find the concept of character difficult is because of class conflict in British society,” says Matthew Taylor, former head of strategy for Tony Blair, in an interview for my recent Radio 4 Analysis programme “Character Factories.” “There was a sense that good character was handed down from a patrician class to the great unwashed.”
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