Log In | Subscribe
Features

Critical condition

  29th February 2008  —  Issue 143
Book reviewing may seem in reasonable health. But the authority of critics is being undermined by a raucous blogging culture and an increasingly commercial publishing industry. Literary journalism needs to get better if it is to survive

Discuss this article at First Drafts, Prospect’s blog

In America in recent months, there has been an outbreak of agonising about the state of book reviewing. Several long articles—and one widely reviewed book: Faint Praise, by Gail Pool—have appeared proclaiming the genre to be if not moribund, then at least in a condition of semi-decrepitude. These concerns have been prompted, most immediately, by the slimming down of book review sections in the US print media. In the last few years, the books pages of most major US papers—as well as a host of smaller ones—have had their word counts slashed, their commissioning budgets cut and their staff downsized. Only the New York Times Book Review appears unscathed. But the issue goes deeper than this. At play are anxieties about the vitality of literary culture, the relationship between print and digital media, even the long-term survival of book-reading itself. Throughout its history, the book review has occupied an uncertain position in relation to the body of literature, being perceived, alternatively, as a nourishing agent and a pest. Growing fears for the genre’s survival in the US have, at least, gone some way to resolving this issue. Most people agree that if people stop writing about books, books will be worse off.

In Britain, so far, there haven’t been any similar eruptions of concern. While this may partly be because British journalists are less fond of navel-gazing than their American counterparts (and let’s not forget that book reviewing, as traditionally conceived, is a branch of journalism), it is also because, on the face of it, book reviewing in this country is in fairly robust health. The downscaling that has affected US papers hasn’t occurred here. On the contrary, if anything the trend has been for papers to expand their books coverage, with several—notably the Guardian and the Times—launching stand-alone books sections that are sort of mini-literary magazines in their own right. Newspapers have proved adept at co-opting new trends in book reading and commentary: some have launched literary blogs and book clubs; many sponsor prizes and festivals. A lively chatter surrounds the British book scene, of which newspaper review sections are a central part.

This article is available to subscribers only

Subscribing to Prospect is the most reliable and convenient way to receive the magazine every month, and offers the best value.

Subscription Types:

Print

As a print edition subscriber you can get over 20 per cent discounted from our cover price. Have the magazine delivered straight to your door each month, starting at just £16 for six months. All print subscriptions now come with a free online subscription which includes complete access to our searchable archive. Buy a subscription now »

Online

An online subscription offers you complete and unlimited access to the entire website, including our searchable archive of every back issue of Prospect, and a PDF edition of each new issue: all this for just £20 per year. Purchase an online subscription »

Renewal

Renew an existing subscription »

Institutional access

If you are a library, business organisation or any other large institution that needs a multi-user licence, you can obtain institutional access.
  • Comment Subscribe to post comments