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Alan Hollinghurst

  20th November 2005  —  Issue 116
Last year's Booker prize winner does not want to be a spokesman for his generation. He reveals his favourite novel and not much more

Alan Hollinghurst’s first novel, The Swimming-Pool Library, begins on the Central line and ends in the subterranean showers of an underground swimming pool.

His latest, The Line of Beauty, last year’s Booker prize-winner, starts on a hot summer day and ends with its protagonist and London bathed in “the light of the moment.” From the underground to the bright lights; Hollinghurst’s career has followed the same path. Although the main protagonists of all his novels have been young gay men, he has moved from a debut widely regarded as the best book about gay life written by an English writer to a novel which, strictly speaking, is not a “gay novel” at all, just a novel about the unravelling of a family that happens to have a gay man at its centre. The four novels, published over 16 years, make a brilliantly economical body of work, full of dreamily beautiful writing, teasing literary allusion, and a self-confidence encapsulated in the title of his Booker winner. The Line of Beauty is an obvious reference to the cocaine which spreads a beguiling charm over the story’s moral and financial subterfuges. It gestures knowingly to Hogarth’s treatise on the rococo, and introduces a series of parallels between the attractive surfaces of 18th-century England and Thatcher’s Britain. But as much as these it is a writer’s promise: every line in this book will be a beautiful one.

Hollinghurst started his published life as a poet (a good one, says a poet friend of mine), and is master of the gorgeous phrase, lightly, sometimes camply balanced, alive to language and rippling with humour. These phrases pile up almost to excess, like petals drifting off a cherry tree in spring. In sex scenes and scenes of humour, they add a gorgeous sheen to the explicit and the absurd that is both one of Hollinghurst’s hallmarks and one of the most enjoyable elements of his work.

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