Log In | Subscribe
Features

Writing for Rupert

  20th April 1998  —  Issue 29
The HarperCollins affair which briefly convulsed the British media raises a host of big questions about free speech, the way we deal with dictators and the power of media proprietors. Timothy Garton Ash, one of the writers who left HarperCollins in protest, draws some unexpected conclusions

I must start by declaring an interest. My last book, The File, was superbly edited and published by Stuart Proffitt at HarperCollins. I was looking forward to working with him on two further books. But in mid-February, I began to hear rumours of strange goings-on. When the Sunday Telegraph reported Proffitt’s involvement in a row over Rupert Murdoch’s desire to drop Chris Patten’s book about Asia, I telephoned him at home. He explained that he could not explain-for legal reasons-but said an announcement would come soon.

Then, on Friday 27th February, came the bombshell. The Daily Telegraph published a statutory declaration by Proffitt which made it clear that he had been pushed out after refusing the suggestion from his bosses that he should join them in lying about the reasons for rejecting Patten’s book.

The next day, I asked my agent to withdraw my two further books from HarperCollins. I did this not simply out of loyalty to my editor, but also in protest at the way in which he had been treated by Eddie Bell and Adrian Bourne, the senior managers of HarperCollins UK. Behind their actions I saw Murdoch’s desire to appease the Chinese communist leadership out of commercial self-interest. Because my books deal with the way in which people in central Europe defied communist dictatorships, at great personal risk, any whiff of the appeasement of a communist dictatorship by people in the west who had nothing to lose but their profits was especially distasteful. If the newspapers are to be believed, I participated in an “authors’ revolt.”

This article is available to subscribers only

Subscribing to Prospect is the most reliable and convenient way to receive the magazine every month, and offers the best value.

Subscription Types:

Print

As a print edition subscriber you can get over 20 per cent discounted from our cover price. Have the magazine delivered straight to your door each month, starting at just £16 for six months. All print subscriptions now come with a free online subscription which includes complete access to our searchable archive. Buy a subscription now »

Online

An online subscription offers you complete and unlimited access to the entire website, including our searchable archive of every back issue of Prospect, and a PDF edition of each new issue: all this for just £20 per year. Purchase an online subscription »

Renewal

Renew an existing subscription »

Institutional access

If you are a library, business organisation or any other large institution that needs a multi-user licence, you can obtain institutional access.
  • Comment Subscribe to post comments